In the Distance: HTC@MIT Research in Progress 2010

In the Distance
Research in Progress 2010: February 27, 2010
Graduate Student Conference
History, Theory, and Criticism of Art and Architecture @ MIT
Cambridge, MA
Call for Papers
The general perception is that intellectual and creative production outside of major cultural centers necessarily defines itself in relationship to these centers. Moreover, the relative paucity of material resources and opportunities available in these remote areas seems to aggravate cultural dependence. But is this the only possible perspective on the effects of this geographical and psychological remoteness?

In the Roots of Romanticism, Isaiah Berlin suggested that German culture, being peripheral to the European intellectual life of the eighteenth century, had to define itself in opposition to the dominance of French culture. It was this negative self-identification that resulted in the birth of the Romantic movement. The 2010 Research in Progress Conference, likewise, proposes that this condition of dependence, generated by geographical distance, can be stimulating, productive, and sometimes even liberating.

How and by whom are such notions as “periphery” and “province” constructed? How does the acceptance or denial of one’s own “provincialism” influence identity and culture in general? What are the factors that produce cultural distance and why does it still exist in our contemporary high-speed and digital world? These are a few of the many possible questions our conference hopes to address. We encourage presentations that discuss various episodes in the history of art, architecture and culture in general, which may include such topics as European colonial empires, diasporas of war, and the effects of exile, mistranslation, migration and separation in aesthetic practices.

Deadlines:
November 15: Abstract submission (maximum 300 words). Please send abstract and a short cv in doc or pdf format to rip@mit.edu.
December 1: Participants notified.
January 31: Paper submissions due (2500 words, 20 minute presentations)
February 27: Conference.

Sensing Cities II

[REMEMBERANCE OF SMELLS PAST. A BBC World Service programme]

“How do smells impact on memories and emotions? Science is unraveling how a whiff of perfume or a newly mown lawn can offer us a free ticket back to our childhood.”

DESIGN ACT: Socially and politically engaged design today – critical roles and emerging tactics

On-site at ExperimentaDesign, DESIGN ACT invites you to a discussion about socially and politically engaged design.Visit and contribute to: a seminar featuring Swedish practitioners discussing historical and contemporary projects; live interviews during the opening week, and; an installation featuring a participatory archive of project examples where you can collect information and print your own publication. The installed and online archive of DESIGN ACT will be continually updated with media and materials produced from these activities.

How can design materialize ideas that can lead to wider change? Can design reform – or contest – social and political conditions? Where does this take place – in the design studio or on the factory floor, in exhibition settings or on the streets? What are the emerging tactics, outcomes and audiences for such forms of practice?

The DESIGN ACT seminar explores critical roles for designers in society. In Sweden, architecture, fashion and design have historically participated in constructing the ideals – and forms – of the welfare state. Today, practitioners continue to engage in social and societal issues, whether materializing a critique of the status quo, proposing alternatives to reform systems and spaces, or staging participatory design processes and public debates. While too often reduced to questions of form and function, such tendencies expose powerful and political forms of design practice.

Featuring a series of presentations from Swedish designers and a panel session with international guests, the DESIGN ACT seminar at ExperimentaDesign reflects on historical precedents and discusses examples of contemporary practice. Presentations by: Helena Mattsson, on Swedish welfare politics, critique and design; Ana Betancour, on architecture as catalyst for social change; Otto von Busch, on hactivism and participation in fashion design; Tor Lindstrand, on architecture and performance for staging new social interactions.

In the panel session following the presentations, the presenters, international guests and the audience take up the seminar theme in relation to issues in other contexts, disciplines and parts of the world – and, together, reflect on future directions for design.

The Venue will take place in: EXD’09 Lounging Space, Palácio Braamcamp, Pátio do Tijolo 25, Lisbon, Portugal. For details and updates on the participants and program: http://www.design-act.se

Installation: 9 September – 8 November

Live interviews: 10 September, 12AM – 8PM

Seminar: Friday 11 September, 2.30 – 8 PM

The hands firmly in the soil

I didn’t take any plane but I’m way jet-lagged. I glance across the Gilo checkpoint from the balcony of a luxury resort, and I can sample a view that encompasses a landscape going from the third world to the very first in a few kilometres. I arrived in West Jerusalem and started my exploration into the (controversial) world of Israeli biblical archaeology. The dig on which I worked looked fascinating, with several layers of stratification that to the clear minds should be enough to demonstrate that this disputed land is best described as an omnibus, with passengers hopping on and off over the centuries. I’ve once been told that biblical archaeology in this land is about colonizing the past, while soldiers, farmers and ultra-orthodox settlers colonize the future. Israel’s first president said that the citizens of the new state had to keep their hands firmly in the soil, referring to the adjacent practices of agriculture and archaeology. After a week of participant observation, it turns out that some of the dig supervisors, local archaeologists, are very scientific in their approach and even critical of the political use of archaeology that’s been done over the years. To the point that the Israeli has to argue with the American volunteers who came here to find their Jewish roots, and believe that if a place is mentioned in the bible, then God granted perpetual ownership.

The name with which the dig is referred to, Ramat Rahel, is modern. This site was not mentioned in the Bible, and the reason for this is still under debate amongst archaeologists. Maybe it was a foreign outpost, and its position would support this view. On a hill higher than Jerusalem, half way between the capital and Bethlehem and overlooking the major trade route of Hebron Road, it made a perfect control device for the Assyrian that subjected the Kingdom of Judah in the fifth century BC. The site was developed during several phases and includes synagogues, churches, temples and mosques. Yet, one particularly intriguing section is the initially dull-looking B3: a stone quarry, turned burial ground in Byzantine times – and also the site of a trench during the 1948 and 1967 war, on the Israeli-Jordanian front. The supervisors of the dig are wary of the religious Jews that wonder around the site (which is a kibbutz, whose permanent residents run the resort) because according to religion, it’s forbidden to unearth Jewish graves. The tombs are given improbable coded names and swiftly covered with plastic canvases when strangers are around.

And yet, a few graves were already profaned a few decades ago by the very tractors that were digging the earth deep down to the bedrock to build the military trench, the outpost in which we also found a flagpole holder. Surgically cutting through the grave and exposing the remains inside them, those machines were actors of a fascinating and revealing game of perspectives on Zionism and its means and ends.

Here is visual story of my trip to Palestine/Israel in the summer of 2009.

Text and photography © Gabriele Oropallo, 2009.

Hackney Wicked Art Festival

This weekend is the Hackney Wicked Festival. There are special exhibitions in different galleries, open studios and some other events and performances. You can have a look to the programme in http://www.hackneywicked.com/index.html

Suggested Reading: Lefebvre

Henri Lefebvre, The Production of Space, trans. by Donald Nicholson-Smith with an afterword by David Harvey (Oxford: Blackwell, 1991).

I’ve been working on Lefebvre’s theorisation of space off and on for about 8 years now, and in that time quite a bit has changed in terms of how The Production of Spaceis understood, or engaged with, in the Anglo-American academy. I thought others, who maybe want to look at The Production of Space for the first time, or are reading it now, or have just read it, might be interested in a few of these developments, and so might be interested in some secondary interpretations of Lefebvre’s The Production of Space.

First of all though, I think it is well worth thinking through how The Production of Space, and particularly Lefebvre’s critique of ‘abstract’ space, relates to that other project of his, The Critique of Everyday Life (now translated and published in 3 vols by Verso). I can’t think of a single piece of work that makes that link more explicit than the short essay ‘Notes on a New Town’, in Introduction to Modernity, trans. by John Moore (London: Verso, 1994), pp. 116–26. I would read that (which on its own can seem a little cliché) alongside Lefebvre, ‘The Specific Categories’, The Critique of Everyday Life, Volume Two, trans. by John Moore, intr. by Michel Trebitsch (London: Verso, 2002), pp. 180–275. I think reading across those three texts should begin to show how bound up The Production of Space is with The Critique of Everyday Life. As an added extra, I personally found Lefebvre, Dialectical Materialism, trans. by John Sturrock (London: Jonathan Cape, 1969) [I think there are new editions available now from an American publisher] absolutely invaluable for making sense of Lefebvre’s move from Marx to ‘everyday life’.

So: recommendations for secondary readings of Lefebvre. There are now some excellent introductions to Lefebvre, from the comprehensive to the technical, and I’m going to recommend just two, that I think really illuminate the nature of Lefebvre’s project (obviously Lefebvre, being pretty anti-dogmatic himself, probably requires an ‘open’ reading, so these two do indicate my own preferences):

John Roberts, Philosophizing the Everyday: Revolutionary praxis and the fate of cultural studies (London: Pluto Press, 2006).

This is a brilliant introduction to the whole field of ‘everyday’ life, and its development in critical European thought through the twentieth century. Roberts is particularly good at picking out the distinctions between the Marxist project (of Walter Benjamin, Lefebvre and others such as the Situationists), Martin Heidegger’s project (and the early Georg Lukács), and Michel de Certeau’s project. This is done in a very careful way, demonstrating the relationships between various conceptualisations of the everyday, and their political consequences. It is really helpful for anyone trying to make sense of Lefebvre’s statements on ‘abstract’ reasoning, the social ‘totality’, and ‘moments’. I’ve found that, even within very highly regarded interpretations of Lefebvre, these kinds of concepts are often understood through the lens of de Certeau, very much distorting Lefebvre’s project (nothing wrong with that, but it does have consequences for how you understand what is possible and what is not using Lefebvre’s concept of the production of space). Do read it if you are serious about making sense of Lefebvre.

p.s. He also demonstrates the importance of Sigmund Freud’s work, particularly The Psychopathology of Everyday Life, which is massively over-looked in a lot of work in ‘everyday life’ cultural/urban studies.

Kanishka Goonewardena, Stefan Kipfer, Richard Milgrom, Christian Schmid (eds), Space, Difference, Everyday Life: Reading Henri Lefebvre (London: Routledge, 2008).

This is a collection of essays that explicitly attempts to re-orientate the interpretation and use of Lefebvre’s intellectual project away from the kind presented by Ed Soja inPostmodern Geographies, and Thirdspace. I say explicit, because if you read the introduction you’ll come across some very fiery language aimed at Soja, which I’m not so sure is necessary. Maybe it is just a style of presentation, but I suspect not.

There are problems with the book: there are typos, and there is what I assume to be poor translation, but nothing that affects the sense and meaning of the works.

It is a fairly extensive collection—16 essays in all, ranging from exegesis, through contextual analysis, to critical and propositional papers. I think it gives a good sense of where work derived from Lefebvre is at, and where there are still some very big holes.

It’s my understanding that Christian Schmid is one of the more renowned exponents of Lefebvre in the German speaking world, and I think that his essay ‘Henry Lefebvre’s Theory of the Production of Space: towards a three-dimensional dialectic’ is well worth reading as an introduction to The Production of Space. Again, he is (like Stuart Elden, another major contributor to the interpretation of Lefebvre) quite caustic toward earlier exponents of Lefebvre, such as Soja and Rob Shields, but if you get past that, you can get some very good insights. Personally, the best account I have come across of the meaning of ‘abstract’ space in The Production of Space, and particularly how that relates to Lefebvre’s interpretation of developments in architecture, comes in Lukasz Stanek, ‘Space as Concrete Abstraction: Hegel, Marx, and modern urbanism in Henri Lefebvre’. It really is a very careful exposition of Lefebvre’s theoretical development and well worth examining—especially if you have come to a dead-end in Lefebvre regarding modern architecture.

The other essays in the book range through Lefebvre’s work (on everyday life, on urbanism, on the production of space, on the state, and on rhythmanalysis), on the whole, reintegrating that work into a wider Marxist project—discussing Gramsci, Benjamin, Debord, Jameson, and even Althusser (who’d of thought that were possible), and their relation to Lefebvre.

The conclusion, written by the editors, produces some nice analyses of the then current events in Paris, as the banlieu reignited in 2005, and is worth a peak.

Now: to the big holes. I’ve chosen to recommend these works because I think they illuminate some of the theoretical foundations for Lefebvre’s work on the production of space, and his critique of everyday life. What they don’t do, is really push Lefebvre on to new areas of insight or interpretation (in the way that Iain Borden did, when he engaged with Soja and Lefebvre in Skateboarding, Space and the City), or test/challenge Lefebvre through new empirical or theoretical work. I understand that the conferences being developed by Schmid and Stanek are precisely intended to develop that, and if any of you are developing some new work out of Lefebvre, it would be well worth your while attending that conference in November.

Reading the urban public spaces of China

 

The last two decades debates on the future of public life and public spaces have been markedly western-oriented, negativist and raising often questions: does public space still matters for our public life?

To counter these views, I would like to offer a different and non-western perspective for the discussion. Here, I will talk about the case of China, more in particular about the cities of Beijing and Nanning, which I had the opportunity to visit this year in June. This visit made part of a Workshop on “the Quality of public space” in the UK and China, that we, the Bartlett School, were invited. The workshop took place in Nanning, a city in the south of China. There we had numerous opportunities to discuss the design of the city centres and public spaces with the present Chinese professors, planners and architects and it became obvious that not only we have different views in reading public space but also the problems we are dealing with sometimes seem irrelevant in comparison to theirs.

 

I do not intend to go on in detail on everything of what we discussed but some aspects deserve attention. So I will give some comments as I will go along the pictures below, in the hope that this can help us to understand how different the problematics and challenges of the public spaces of the Chinese cities are.

 

 

1. Chinese cities are facing great difficulties to keep the balance between progress (expressed by the accelerating urbanization) and protection of their historical heritage. In this picture of Nanning, it is evident how the old urban fabric is being swallowed and suffocated by massive high-rise buildings and sliced by new urban infrastructure.

2. There is a recent obsession to import European representations of public spaces to their cities. Here we can see an interesting example of that, the Olympic site in Beijing clearly resembles to a big boulevard in Paris.

3. Most Chinese cities are still dominated by small-scale businesses and commerce. It is unbelievable the variety of products you can find in these shops. In western cities, we hardly can find this anymore. This picture is an interesting example of a typical underground shopping street in Nanning; they call it Mouse Street. Off course, there is a danger that progress will soon get rid of them.

 

4. There is as well a growing informal sector of commerce; street vendors are an indelible feature of Chinese public spaces, as you can see in this picture of Nanning. In the western cities, there is too much regulation for this ever to be possible again.

 

5. People often sleep in public; this shows how safe streets still are. This contrasts very much with our present western situation.

 

6. I could go on trying to find more examples but I think it is clear enough how distinct the problematics of Chinese cities public spaces and public life are. To understand that, you do not have to go very far, just immerse in a gastronomic experience and see what they eat. I had a snake and turtle soup that were an absolute gastronomic delight !!!

Sensing Cities

[SOUND ARCHITECTURE, A BBC World Service programme]

“Professor Trevor Cox, science broadcaster and acoustic engineer explores the idea of aural architecture – architecture for your ears.

Now, through new technology and a new way of thinking, acousticians and architects are working together to create spaces that both function better but also look good too.”


A Revaluation of Public Space in Toronto (1955-2005)

Dundas Square, November 2004

Dundas Square, November 2004

Paper presented at the 2009 Anglo-American Conference of Historians “Cities” in London.
You can download the full paper with images here.

INTRODUCTION
What we will look at in the next twenty minutes is a study of three iconic projects in Toronto that were all planned and built between the years 1955 and 2005: City Hall and Nathan Phillips Square, the Eaton Centre, and Dundas Square. I argue that the three adjacent projects parallel a development in the design and representation of public space in the city starting with an idealised projection of the public realm and ending with its commodification and transformation into spectacle.

The research has focused primarily on the play between the official description of the projects by the authorities and their reception by the public as represented in the local and national media. The goal was to collect an “assembly” of participating voices in the dialogue surrounding the creation of each project and allow the argument to surface organically from the fragments. In parallel to this, each site was “read” through the theories of three different thinkers. City Hall and Nathan Phillips Square with Hannah Arendt, Eaton Centre with Jean Baudrillard and Dundas Square with Guy Debord. What I would like to present here are some of the themes that emerged during the process.

Read More »

Spatial design as territorial control

Originally published by Verso in 2007, Eyal Weizman’s book Hollow Land: Israel’s Architecture of Occupation is a history of the process of transformation by which Palestinian space (underground, at ground level and in the air above the ground) is constantly redesigned in order to be kept under control. Or, rather than a history, one could call it a medical record, since the patient under analysis is still suffering the symptoms and effects of its condition. Hollow Land is now translated for the first time in a foreign language, and published by Italy’s Bruno Mondadori Editore with the title Architettura dell’occupazione: spazio politico e controllo territoriale in Palestina e Israele. The book was translated by yours truly last winter, during the development of the recent Gaza crisis, at the end of which around 15% of the buildings in the Stripe were left destroyed – an acceleration of the very processes described in the book, which provided a continuous memento of the urgency of the project. After taking stock of the latest events, in the new preface the author writes that in Palestine the spatial conflict ‘goes beyond a search for a stable and permanent “governable” colonial form’. On the contrary, it is through this ‘constant transformation of space that this process of colonization has played out’. The transformation of space, rather than being a goal, is the very instrument through which control is articulated, and violence, far from being casual and being triggered by a confrontational configuration of space, is the very tool to design it.

The cover of the Italian edition features a new image, that refers to the practice of ‘walking through walls’, used by the Israeli army to reinterpret urban space when fighting in refugee camps.

Eyal Weizman, Hollow Land: Israel’s Architecture of Occupation (London: Verso, 2007).

Eyal Weizman, Architettura dell’occupazione: spazio politico e controllo territoriale in Palestina e Israele, tr. Gabriele Oropallo (Milano: Bruno Mondadori, 2009).

The book will be also presented at this year’s Mantova book festival.