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	<title>Bartlett Think-Tank &#187; Patricia Simoes-Aelbrecht</title>
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	<link>http://bartlett-thinktank.org</link>
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		<title>&#8216;Outside&#8217;: filming the public spaces of Beijing.</title>
		<link>http://bartlett-thinktank.org/2011/02/outside-filming-the-public-spaces-of-beijing/</link>
		<comments>http://bartlett-thinktank.org/2011/02/outside-filming-the-public-spaces-of-beijing/#comments</comments>
		<pubDate>Mon, 28 Feb 2011 08:00:44 +0000</pubDate>
		<dc:creator>Patricia Simoes-Aelbrecht</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Public space]]></category>
		<category><![CDATA[beijing]]></category>
		<category><![CDATA[documentary-film]]></category>
		<category><![CDATA[public life]]></category>

		<guid isPermaLink="false">http://bartlett-thinktank.org/?p=706</guid>
		<description><![CDATA[One year ago, I wrote some notes on the urban public spaces of China (see post Reading the Urban Spaces of China). In it, I made a small reflection on the accelerating urbanization in China on the one hand and the differences in use of the public space between Western and non-Western countries on the [...]]]></description>
			<content:encoded><![CDATA[<p>One year ago, I wrote some notes on the urban public spaces of China (see post Reading the Urban Spaces of China). In it, I made a small reflection on the accelerating urbanization in China on the one hand and the differences in use of the public space between Western and non-Western countries on the other hand. Today I want to elaborate on the uses of public space a bit more. I want to introduce some insights brought by a short film ‘Outside’ of the Portuguese filmmaker Sergio Cruz I came across in TINAG a few weeks ago. In this film, Sergio brought a compelling portrait of Beijing public life during the preparation for hosting the Olympics in 2008, which he described as ‘a 24-hour live show full of music, dance and sports.’  This documentary film really made me think about three particular ongoing debates on public space. The first is the tolerance towards social behaviors in the public spaces of Beijing such as sleeping in public, selling in the street, and other considered deviant behaviors often not allowed in western countries. The second is the freedom Sergio had to film everywhere without ever having to ask permission and the acceptance of people to be filmed. The third is the actual intensity and diversity of Chinese public life. All these aspects show that despite China lack of freedom of speech and expression, Chinese public spaces are still very meaningful and democratic.</p>
<div id="attachment_708" class="wp-caption aligncenter" style="width: 510px"><img class="size-large wp-image-708" title="sergio-cruz-Outside" src="http://bartlett-thinktank.org/wp-content/uploads/2011/02/sergio-cruz-Outside-500x375.jpg" alt="Sleeping in public, scene from film 'Outside' of Sergio Cruz." width="500" height="375" /><p class="wp-caption-text">Sleeping in public, scene from film &#39;Outside&#39; of Sergio Cruz.</p></div>
<p>To know more information about the artist and the Tinag screening see websites below:</p>
<p>Sergio Cruz: <a href="http://www.rhiz.eu/person-37213-en.html">http://www.rhiz.eu/person-37213-en.html</a></p>
<p>TINAG events: <a href="http://thisisnotagateway.squarespace.com/salons-upcoming/">http://thisisnotagateway.squarespace.com/salons-upcoming/</a></p>
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		<title>The myth of the architect</title>
		<link>http://bartlett-thinktank.org/2010/10/the-myth-of-the-architect/</link>
		<comments>http://bartlett-thinktank.org/2010/10/the-myth-of-the-architect/#comments</comments>
		<pubDate>Wed, 27 Oct 2010 08:52:24 +0000</pubDate>
		<dc:creator>Patricia Simoes-Aelbrecht</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Barthes]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Myths]]></category>

		<guid isPermaLink="false">http://bartlett-thinktank.org/?p=526</guid>
		<description><![CDATA[For a long time architects have been complaining how their profession lacks consideration: it&#8217;s badly paid, it&#8217;s hard labour, and has no perspective for the future. This crisis of the architect got worse in times of recession, as most of them got unemployed.
However representations of the architect in the media, such as in newspapers, television [...]]]></description>
			<content:encoded><![CDATA[<p>For a long time architects have been complaining how their profession lacks consideration: it&#8217;s badly paid, it&#8217;s hard labour, and has no perspective for the future. This crisis of the architect got worse in times of recession, as most of them got unemployed.</p>
<p>However representations of the architect in the media, such as in newspapers, television and films, mediate an idea of the architect which is quiet the opposite of the one I sketched out above. In the media, the architect is not only always masculine, in one-way or another attractive, but he is also the figure capable of interpreting the world we live in. To give an example, think about George Constanza in the series Seinfeld. On several occasions when George met a woman, he always said he was an architect. In one episode, &#8216;The Race’, he even claimed that he had designed ‘the new addition to the Guggenheim’! There are also other examples in which the architect’s profession is advertised by a popular figure, such as Brad Pitt. Hollywood’s star actor Pitt shared a few years ago the following: ‘whilst acting is my career, architecture is my passion’. Pitt’s most desired dream is to be an architect! If we have to believe the images we see, Pitt worked already on various occasions in Frank Gehry’s office.</p>
<p>All these socially constructed images of the architect produce in many ways a myth around the figure of the architect that seems to be reality itself. Interestingly, in his book <em>Mythologies </em>the French structuralist critic Roland Barthes explains through the summation of familiar things how a myth functions and the power it embodies to control our thoughts. He shows how all these myths actually signify different things of the world itself. The myth of the architect seems thus to say much more things about the world than we initially assumed.</p>
<p>To shake this mythical discourse I propose we all share our image of the architect in the comment zone below.</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="350" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="src" value="http://www.youtube.com/v/0DUPfQCvHXw" /><embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/0DUPfQCvHXw"></embed></object></p>
<div id="attachment_532" class="wp-caption aligncenter" style="width: 510px"><img class="size-large wp-image-532" title="brad_frank" src="http://bartlett-thinktank.org/wp-content/uploads/2010/10/brad_frank1-500x365.jpg" alt="brad_frank" width="500" height="365" /><p class="wp-caption-text">Brad Pitt in the model room in Gehry’s office.</p></div>
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		<title>Theorizing the ‘sociology of public space’.</title>
		<link>http://bartlett-thinktank.org/2009/12/theorizing-the-%e2%80%98sociology-of-public-space%e2%80%99/</link>
		<comments>http://bartlett-thinktank.org/2009/12/theorizing-the-%e2%80%98sociology-of-public-space%e2%80%99/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 09:17:10 +0000</pubDate>
		<dc:creator>Patricia Simoes-Aelbrecht</dc:creator>
				<category><![CDATA[Public space]]></category>
		<category><![CDATA[public life]]></category>
		<category><![CDATA[sociology of public space]]></category>

		<guid isPermaLink="false">http://bartlett-thinktank.org/?p=385</guid>
		<description><![CDATA[The ‘sociology of public space’ is a research area still rather unknown and unexplored. Until recently, most social sciences conventional wisdom was that the public realm was inhabited and asocial (Simmel, 1903, Wirth, 1938). Their essential argument was always that public spaces of the city were densely filled with visual and sounds stimulus overload and [...]]]></description>
			<content:encoded><![CDATA[<p>The ‘sociology of public space’ is a research area still rather unknown and unexplored. Until recently, most social sciences conventional wisdom was that the public realm was inhabited and asocial (Simmel, 1903, Wirth, 1938). Their essential argument was always that public spaces of the city were densely filled with visual and sounds stimulus overload and as a result our public realm was populated by an asocial human behaviour. In addition, there was a tendency of some scholars to grant the social character of public realm but to think of it as irrelevant and uninteresting.  It was just in the late 1950s that a group of authors came to challenge this social science’s conventional wisdom. They were Gregory Stone, Jane Jacobs, Ervin Goffman and William Whyte. Although they were not all concerned with the public realm per se, they were crucial to recognize the public realm as a social theory and to demonstrate its significance as well. Among these authors, Goffman and Whyte were the first to immerse into its study although their focus differed substantially. Goffman was the first to study it in a social-centred perspective with the focus on the organization of observable, everyday behavior, more in particular with the study of “interaction order”, the everyday social interaction among the unacquainted in urban settings. He demonstrated that what occurs between strangers passing on the street is as social as what occurs in a conversation between two lovers. Later, it was Whyte to make a study but in a spatial-centred perspective with a focus on the use of public spaces of cities, confirming not only the existence of a significant public realm social life but also how indispensable are public spaces for the vitality of the city.</p>
<p>Since then, there have been very few significant contributions, among them Lofland and Gehl are worth mentioning, that came to reassert once again the importance of the field of public-space sociology and to broaden its theoretical and analytical scope. But still a lot more could have been done, specially from a spatial perspective!</p>
<p>For those interested in or already busy with exploring the ‘sociology of public space’, please contact me. I will be very interested in discussing further since I am working in a project for an edited book and i am looking for future collaborators.</p>
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		<title>DESIGN ACT: Socially and politically engaged design today – critical roles and emerging tactics</title>
		<link>http://bartlett-thinktank.org/2009/08/design-act-socially-and-politically-engaged-design-today-%e2%80%93-critical-roles-and-emerging-tactics/</link>
		<comments>http://bartlett-thinktank.org/2009/08/design-act-socially-and-politically-engaged-design-today-%e2%80%93-critical-roles-and-emerging-tactics/#comments</comments>
		<pubDate>Sun, 30 Aug 2009 08:23:27 +0000</pubDate>
		<dc:creator>Patricia Simoes-Aelbrecht</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[political space]]></category>
		<category><![CDATA[social space]]></category>

		<guid isPermaLink="false">http://bartlett-thinktank.org/?p=210</guid>
		<description><![CDATA[
On-site at ExperimentaDesign, DESIGN ACT invites you to a discussion about socially and politically engaged design.Visit and contribute to: a seminar featuring Swedish practitioners discussing historical and contemporary projects; live interviews during the opening week, and; an installation featuring a participatory archive of project examples where you can collect information and print your own publication. [...]]]></description>
			<content:encoded><![CDATA[<p><!--StartFragment--></p>
<p class="MsoNormal" style="text-align: justify;"><span>On-site at ExperimentaDesign, DESIGN ACT invites you to a discussion about socially and politically engaged design.Visit and contribute to: a seminar featuring Swedish practitioners discussing historical and contemporary projects; live interviews during the opening week, and; an installation featuring a participatory archive of project examples where you can collect information and print your own publication. The installed and online archive of DESIGN ACT will be continually updated with media and materials produced from these activities.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span><strong>How can design materialize ideas that can lead to wider change? Can design reform – or contest – social and political conditions? Where does this take place – in the design studio or on the factory floor, in exhibition settings or on the streets? What are the emerging tactics, outcomes and audiences for such forms of practice?</strong></span></p>
<p class="MsoNormal" style="text-align: justify;"><span>The DESIGN ACT <strong>seminar</strong></span><span> explores critical roles for designers in society. In Sweden, architecture, fashion and design have historically participated in constructing the ideals – and forms – of the welfare state. Today, practitioners continue to engage in social and societal issues, whether materializing a critique of the status quo, proposing alternatives to reform systems and spaces, or staging participatory design processes and public debates. While too often reduced to questions of form and function, such tendencies expose powerful and political forms of design practice.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span>Featuring a series of presentations from Swedish designers and a panel session with international guests, the DESIGN ACT seminar at ExperimentaDesign reflects on historical precedents and discusses examples of contemporary practice. Presentations by: <strong>Helena Mattsson</strong></span><span>, on Swedish welfare politics, critique and design; <strong>Ana Betancour</strong></span><span>, on architecture as catalyst for social change; <strong>Otto von Busch</strong></span><span>, on hactivism and participation in fashion design; <strong>Tor Lindstrand</strong></span><span>, on architecture and performance for staging new social interactions.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span>In the panel session following the presentations, the presenters, <strong>international guests</strong></span><span> and the audience take up the seminar theme in relation to issues in other contexts, disciplines and parts of the world – and, together, reflect on future directions for design.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span>The Venue will take place in: EXD&#8217;09 Lounging Space, Palácio Braamcamp, Pátio do Tijolo 25, Lisbon, Portugal. For details and updates on the participants and program: <a href="http://www.design-act.se/">http://www.design-act.se</a></span></p>
<p class="MsoNormal" style="text-align: justify;"><span><strong>Installation</strong></span><span>: 9 September – 8 November </span></p>
<p class="MsoNormal" style="text-align: justify;"><span><strong>Live interviews</strong></span><span>: 10 September, 12AM – 8PM </span></p>
<p class="MsoNormal" style="text-align: justify;"><span><strong>Seminar</strong></span><span>: Friday 11 September, 2.30 – 8 PM</span></p>
<p><!--EndFragment--></p>
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		<title>Reading the urban public spaces of China</title>
		<link>http://bartlett-thinktank.org/2009/07/reading-the-urban-public-spaces-of-china/</link>
		<comments>http://bartlett-thinktank.org/2009/07/reading-the-urban-public-spaces-of-china/#comments</comments>
		<pubDate>Wed, 08 Jul 2009 14:50:50 +0000</pubDate>
		<dc:creator>Patricia Simoes-Aelbrecht</dc:creator>
				<category><![CDATA[Public space]]></category>
		<category><![CDATA[beijing]]></category>
		<category><![CDATA[china]]></category>
		<category><![CDATA[public life]]></category>
		<category><![CDATA[soup]]></category>

		<guid isPermaLink="false">http://bartlett-thinktank.org/?p=111</guid>
		<description><![CDATA[
 

The last two decades debates on the future of public life and public spaces have been markedly western-oriented, negativist and raising often questions: does public space still matters for our public life? 
To counter these views, I would like to offer a different and non-western perspective for the discussion. Here, I will talk about the case [...]]]></description>
			<content:encoded><![CDATA[<p><!--StartFragment--></p>
<p class="MsoNormal"> </p>
<p><img class="alignnone" title="beijing cctv" src="http://bartlett-thinktank.org/image-dump/china/beijing%20cctv.jpg" alt="" width="500" height="375" /></p>
<p class="MsoNormal"><span lang="EN-GB">The last two decades debates on the future of public life and public spaces have been markedly western-oriented, negativist and raising often questions: <em>does </em><em>public space still matters for our public life</em></span><span lang="EN-GB">? </span></p>
<p class="MsoNormal"><span lang="EN-GB">To counter these views, I would like to offer a different and non-western perspective for the discussion. Here, I will talk about the case of China, more in particular about the cities of Beijing and Nanning, which I had the opportunity to visit this year in June. This visit made part of a Workshop on<em> “the Quality of public space” in the UK and China</em></span><span lang="EN-GB">, that we, the Bartlett School, were invited. The workshop took place in Nanning, a city in the south of China. There we had numerous opportunities to discuss the design of the city centres and public spaces with the present Chinese professors, planners and architects and it became obvious that not only we have different views in reading public space but also the problems we are dealing with sometimes seem irrelevant in comparison to theirs. </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><span lang="EN-GB"> </span><span lang="EN-GB">I do not intend to go on in detail on everything of what we discussed but some aspects deserve attention. So I will give some comments as I will go along the pictures below, in the hope that this can help us to understand how different the problematics and challenges of the public spaces of the Chinese cities are.</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><img class="alignnone" title="massiveness" src="http://bartlett-thinktank.org/image-dump/china/massiveness.jpg" alt="" width="500" height="375" /></p>
<p class="MsoNormal"><span lang="EN-GB">1. Chinese cities are facing great difficulties to keep the balance between progress (expressed by the accelerating urbanization) and protection of their historical heritage. In this picture of Nanning, it is evident how the old urban fabric is being swallowed and suffocated by massive high-rise buildings and sliced by new urban infrastructure. </span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><img class="alignnone" title="olympic site" src="http://bartlett-thinktank.org/image-dump/china/olympic%20site.jpg" alt="" width="500" height="334" /></p>
<p class="MsoNormal"><span lang="EN-GB">2. There is a recent obsession to import European representations of public spaces to their cities. Here we can see an interesting example of that, the Olympic site in Beijing clearly resembles to a big boulevard in Paris.</span></p>
<p class="MsoNormal"><span lang="EN-GB"> </span></p>
<p class="MsoNormal"><img class="alignnone" title="underground" src="http://bartlett-thinktank.org/image-dump/china/DSCN9682.JPG" alt="" width="500" height="374" /></p>
<p class="MsoNormal"><span lang="EN-GB">3. Most Chinese cities are still dominated by small-scale businesses and commerce. It is unbelievable the variety of products you can find in these shops. In western cities, we hardly can find this anymore. This picture is an interesting example of a typical underground shopping street in Nanning; they call it Mouse Street. Off course, there is a danger that progress will soon get rid of them.</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><img class="alignnone" title="bananas" src="http://bartlett-thinktank.org/image-dump/china/bananas.jpg" alt="" width="500" height="375" /></p>
<p class="MsoNormal"><span lang="EN-GB">4. There is as well a growing informal sector of commerce; street vendors are an indelible feature of Chinese public spaces, as you can see in this picture of Nanning. In the western cities, there is too much regulation for this ever to be possible again. </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><img class="alignnone" title="sleeping" src="http://bartlett-thinktank.org/image-dump/china/sleeping.jpg" alt="" width="500" height="375" /></p>
<p class="MsoNormal"><span lang="EN-GB">5. People often sleep in public; this shows how safe streets still are.<span> </span>This contrasts very much with our present western situation.</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><img class="alignnone" title="soup" src="http://bartlett-thinktank.org/image-dump/china/DSCF0246.JPG" alt="" width="500" height="375" /></p>
<p class="MsoNormal">6. I could go on trying to find more examples but I think it is clear enough how distinct the problematics of Chinese cities public spaces and public life are. To understand that, you do not have to go very far, just immerse in a gastronomic experience and see what they eat. I had a snake and turtle soup that were an absolute gastronomic delight !!!</p>
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		<title>Sir Peter Hall Annual Lecture 2009</title>
		<link>http://bartlett-thinktank.org/2009/05/sir-peter-hall-annual-lecture-2009/</link>
		<comments>http://bartlett-thinktank.org/2009/05/sir-peter-hall-annual-lecture-2009/#comments</comments>
		<pubDate>Thu, 21 May 2009 12:51:21 +0000</pubDate>
		<dc:creator>Patricia Simoes-Aelbrecht</dc:creator>
				<category><![CDATA[Conferences]]></category>

		<guid isPermaLink="false">http://bartlett-thinktank.org/?p=40</guid>
		<description><![CDATA[Dear Colleague 
UCL&#8217;s Bartlett School of Planning is launching a new 
annual lecture in honour of Professor Sir Peter Hall&#8217;s immense and 
on-going contribution to planning academia. This year the lecture will
be given by Professor John Friedmann from UCLA and the University of 
British Colombia and will be followed by a wine reception. 
18.00, 26th [...]]]></description>
			<content:encoded><![CDATA[<address><span style="color: #800000;"><span style="color: #000000;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="color: black;">Dear Colleague</span><span style="color: #000000;"> </span></span></span></span></span></address>
<address><span style="color: #800000;"><span style="color: #000000;"><span style="color: #800000;"><span style="color: #000000;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="color: black;">UCL&#8217;s Bartlett School of Planning is launching a new </span></span></span></span></span></span></span></address>
<address><span style="color: #800000;"><span style="color: #000000;"><span style="color: #800000;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="color: #000000;"><span style="color: black;">annual lecture in </span></span><span style="color: #800000;"><span style="color: #000000;">honour of Professor Sir Peter Hall&#8217;s immense and </span></span></span></span></span></span></span><span style="color: #800000;"><span style="color: #000000;"><br />
<address><span style="color: #800000;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="color: #000000;"><span style="color: black;">on-going contribution to </span></span><span style="color: #800000;"><span style="color: #000000;">planning academia. This year the lecture will</span></span></span></span></span></address>
<address><span style="color: #800000;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="color: #000000;"><span style="color: black;">be given by Professor John </span></span><span style="color: #800000;"><span style="color: #000000;">Friedmann from UCLA and the University of </span></span></span></span></span></address>
<address><span style="color: #800000;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="color: #000000;"><span style="color: black;">British Colombia and will be </span></span><span style="color: #800000;"><span style="color: #000000;">followed by a wine reception.</span></span><span style="color: #000000;"> </span></span></span></span></address>
<address class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="color: #800000;"><span style="color: #000000;"><span style="color: #800000;"><span style="color: #000000;"><span style="font-family: Times New Roman;"><span style="font-size: small; font-family: Times New Roman;">18.00, 26th May 2009</span></span></span></span></span></span></address>
<address></address>
<p></span></span></p>
<address class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="color: black;">The Sir Ambrose Fleming Lecture Theatre,</span></span></span></address>
<address class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 8.5pt; font-family: ArialMTStd; mso-bidi-font-family: ArialMTStd;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="font-family: Times New Roman;"><span style="font-size: 8.5pt; font-family: ArialMTStd; mso-bidi-font-family: ArialMTStd;"><span style="font-size: small;">Roberts buiding, UCL, </span></span></span></span></span></span><span style="font-family: Times New Roman;"><span style="font-size: 8.5pt; font-family: ArialMTStd; mso-bidi-font-family: ArialMTStd;"><span style="color: black;"><span style="font-size: small; font-family: Times New Roman;">Torrington Place</span></span><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="color: black;">, London WC1E 7JE<span style="color: black;">.</span></span></span></span></span></span></address>
<address class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"><span style="font-size: 8.5pt; font-family: ArialMTStd; mso-bidi-font-family: ArialMTStd;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="font-family: Times New Roman;"><span style="color: black;">Places free but by advanced booking only to: </span></span><span style="font-size: 8.5pt; font-family: ArialMTStd; mso-bidi-font-family: ArialMTStd;"><span style="font-family: Times New Roman;">Pauline Galea</span></span><span style="font-size: 8.5pt; font-family: ArialMTStd; mso-bidi-font-family: ArialMTStd;"><span style="font-family: Times New Roman;"> </span></span></span></span></span></address>
<address class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"><span style="font-size: 8.5pt; font-family: ArialMTStd; mso-bidi-font-family: ArialMTStd;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><span style="font-size: 8.5pt; font-family: ArialMTStd; mso-bidi-font-family: ArialMTStd;"><span style="font-family: Times New Roman;">(email: <a href="mailto:p.galea@ucl.ac.uk">p.galea@ucl.ac.uk</a>) </span></span></span></span></span><span style="color: black;"><span style="font-size: small;"><span style="font-family: Times New Roman;">and for further information see <a href="http://www.bartlett.ucl.ac.uk/planning/index.php">www.bartlett.ucl.ac.uk/planning/index.php</a></span></span></span></address>
<address class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="color: white;"><span style="font-size: small;"><span style="font-family: Times New Roman;"> </span></span></span></address>
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